{"id":298,"date":"2007-06-27T21:08:36","date_gmt":"2007-06-28T02:08:36","guid":{"rendered":"http:\/\/blogs.universalem.org\/homo_aestheticus\/?p=298"},"modified":"2012-11-09T19:55:52","modified_gmt":"2012-11-10T01:55:52","slug":"hump-day","status":"publish","type":"post","link":"https:\/\/blogs.universalem.org\/homo_aestheticus\/2007\/06\/27\/hump-day\/","title":{"rendered":"Hump Day"},"content":{"rendered":"<p>The middle of the week; a meeting with Hans on Friday.<\/p>\n<p>Today I decided to watch the new Die Hard movie &#8212; <em>Live Free of Die Hard<\/em>.<\/p>\n<p><!--more--><\/p>\n<p>I have a troubled relationship to\/with these movies. <a href=\"http:\/\/en.wikipedia.org\/wiki\/John_McClane\">John McClane<\/a> has a great low-key, leave-me-alone, distrust-The-Man attitude. He&#8217;s not really a team player, and the Higher Ups are always revealed to be incompetent at best. And in a sense he has a lot in common with typical no-nonsense, vigilante types. He&#8217;s no jack-booted thug, though. And his opponents always start with ideology of sorts, often a bit anarchistic or at least anti-state, but they&#8217;re always revealed to be just petty criminals, thieves and terrorists. There&#8217;s a lot of room for potential critique here, one way or the other, but the movies always fall back on formula. That&#8217;s not a bad thing; they are meant as entertainment, after all. But when you compare this with better entries in the spy\/espionage genre, along with other political thrillers, you get characterization, politics and point-of-view. Example: the Bourne movies to date. Ronin. Hell, even the first Brosnin James Bond &#8212; you were asked to wonder a bit about how the world works.<\/p>\n<p>In <em>Twelve Monkeys<\/em> and a few other places Bruce Willis demonstrated that he&#8217;s more than an aging muscle man, more than just a not-so-pretty-face with a great smirk. And that first Die Hard is an iconic film. But far too often he gets to resort to not acting, to falling into a role that people mistake with Bruce Willis himself. The guy from the &#8220;I&#8217;m a Mac; I&#8217;m a PC&#8221; ads (the Mac guy, that is) is Bruce&#8217;s sidekick; a woman (<a href=\"http:\/\/en.wikipedia.org\/wiki\/Mary_Elizabeth_Winstead\">Mary Elizabeth Winstead<\/a>) who last appeared in Tarantino&#8217;s <em>Death Proof<\/em> (part two of Grindhouse) as Lee plays Bruce&#8217;s daughter &#8212; she needed more screen time, because she appears early on but then disappears until necessary later in the movie, and so her &#8216;importance&#8217; is a tad contrived. The bad guy, or the actor, I would describe as &#8220;the poor man&#8217;s Jude Law.&#8221; But all in all it was a satisfactory theater experience &#8212; I would have liked something Bourne-worthy, or Ronin-worthy, but you can&#8217;t expect that from a PG-13 flick designed to appeal to the masses and directed by the guy who brought us Underworld and Underworld: Evolution.<\/p>\n<p>Before that I stopped by Espresso Royale to enjoy Wednesday&#8217;s $2 lattes &#8212; any size up to a triple. So triple iced latte it was &#8230; $2. And tasty enough. Afterward I went to Fair Trade for an iced coffee; while there I recharged the battery on my laptop, wrote a bit, and read a few pages in <em>Prague<\/em>, which has gone from a great walk down memory lane to a laugh-fest of sorts.<\/p>\n<p>Tonight it&#8217;s time for more of The Tea Party. Last night they sounded like Led Zeppelin for the 90s; now, alas, while still good they (the album Splendor Solis) sound like the poor man&#8217;s Pearl Jam with a bit more in the realm of melodic, soft guitars.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The middle of the week; a meeting with Hans on Friday. Today I decided to watch the new Die Hard movie &#8212; Live Free of Die Hard.<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[83],"tags":[96,147,107],"class_list":["post-298","post","type-post","status-publish","format-standard","hentry","category-myspace","tag-coffee","tag-dissertation","tag-music"],"_links":{"self":[{"href":"https:\/\/blogs.universalem.org\/homo_aestheticus\/wp-json\/wp\/v2\/posts\/298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.universalem.org\/homo_aestheticus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.universalem.org\/homo_aestheticus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.universalem.org\/homo_aestheticus\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.universalem.org\/homo_aestheticus\/wp-json\/wp\/v2\/comments?post=298"}],"version-history":[{"count":0,"href":"https:\/\/blogs.universalem.org\/homo_aestheticus\/wp-json\/wp\/v2\/posts\/298\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.universalem.org\/homo_aestheticus\/wp-json\/wp\/v2\/media?parent=298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.universalem.org\/homo_aestheticus\/wp-json\/wp\/v2\/categories?post=298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.universalem.org\/homo_aestheticus\/wp-json\/wp\/v2\/tags?post=298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}